Morning Meditation

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Hold Your Flame High

The challenge now is to hold your flame high
Without seeking to burn others
It’s tempting, I know, to singe another on the way by
Especially when you’ve clawed your way out of darkness
And they have blocked your passage
When you have been burned
Near past the point of recognition

You did not deserve that
You did not ever deserve that
But you are not the only one with scars
And you must find within you the strength
To be better than those who’ve hurt you
Because you can and you are
Not when you are set alight with vengeance
But when you light the way for everyone

If you want a new story
You must allow for a new ending.
In every hero’s journey ever told,
There comes a time to re-know the enemy
Because the enemy is who you become
When you don’t use your light well
When you can’t honor your history
Without making it a weapon

Know your anger and guard your wounds
But do not succumb to hatred or bitterness
Nor direct your rage inward
No one is asking you to offer yourself as firewood

And understand this:
The way forward is now
There is an opening now
The darkness is lit with love

© Amanda Reilly Sayer (November, 2020)

Alchemy

The alchemists have a saying: ‘Tertium non datur.’ The third is not given. That is, the transformation from one element to another, from waste matter into best gold is a mystery, not a formula. No one can predict what will form out of the tensions of opposites and effect a healing change between them. And so it is with the mind that moves from its prison to a free and vast plain without any movement at all. Something new has entered the process. We can only guess.

– Jeanette Winterson

This painting has been on and off my easel since February. And although I wouldn’t call it gold, I can say that the process of making it had an alchemical quality. Put another way: I have no idea what I’m doing or why, but always have transformation foremost in my mind.

On Connection, Clarity, and Friendship

My friend Diana Peach, a talented and generous writer, offered me a gift the other day. The gift came in the form of an exchange about creativity that added a layer of color to the evolving picture of my creative journey, my purpose for making art. I wanted to share it with you all in case the conversation, along with my associated thoughts, has any relevance for you. Also, you may want to follow Diana’s blog and make her your friend too!

In response to Diana’s comment on my most recent blog post about painting, I offered this:

I don’t often know why I feel compelled to write about something in particular. My ‘muse’ often seems to have an agenda beyond my ego’s comprehension. Through painting (and writing too), I often see where I am limited and where there is greater capacity than I recognize (or realize). I’m always looking to connect with others who are thoughtful about the creative journey, which surpasses any particular work of art (painted, written, or otherwise). Sometimes I think I care more about how we create than what is created. But that may simply be a stage in my creative journey. I wonder about yours. How you came to allow yourself to access the stories that live in you. Whether it was effortful (or perhaps still is?) or more like breathing (effortful moments nestled in automaticity/flow).

Diana’s response:

“Sometimes I think I care more about how we create than what is created.” A lovely musing and one I can relate to. I never tire of learning about the creative impulse and process of other artists. It’s utterly mesmerizing. I still seek that fluid balance of effortless inspiration and effortful craft. 

Until Diana quoted me back to myself, I’m not sure I fully appreciated the extent to which process has been more important to me than outcome. My attention to process was the reason I started this blog, but in the making of things I’d almost forgotten that.

I’m not the best painter or writer, nor do I expect myself to be. I am most interested in growth and evolution – my own and others’. I get better when I attend more fully to process, to understand where I am not allowing flow. I wonder how true that may be for others besides Diana and me.

We communicate imperfectly. We make offerings to each other without any certainty about how they will be received, without any sense of what we may get in return. Still, we try. We write. We paint. We share in whatever mediums and by whatever means we have. And I believe it is in the trying and sharing – the willingness to engage in common space – that we get closer to clarity. Sometimes we even get answers to questions we didn’t know we were asking!

By sharing, we allow ourselves the possibility of fresh air, which by definition is a kind of inspiration. In breath, the energy exchange with others, we may find a clearer path to creative flow in the midst of our effortful crafting. If any of this resonates, I’d love to hear from you!

The Challenge of Being

Untitled, 5×7 acrylic on canvas

Sometimes the notes
Play, almost  
Without effort, other times 

Fingers sore from repetition
Dissonance rules
With gnashing teeth

The Buddha said (maybe)
You must become empty, before
Being filled

And that is harder than it sounds
In this time when, doing more
Means doing well

But what if being well
Means simply being?
Allowing, the melody to emerge

©Amanda Reilly Sayer, 2019

*Note: I shared this particular painting with this poem because it was a painting that evolved easily, which isn’t exactly typical of my experience. As a painter (and writer), I am guilty of teeth gnashing effort and that is usually evident in the work, at least to me. To have a goal that is about not trying seems both counterintuitive and impossible, but I know this is a goal worth allowing, if not pursuing.

What say you?